Falling In Reverse’s “Joseph”: What the Official Credit Actually Tells Us

Is “Joseph” a single, an album track, or only a feature announcement?

The official catalog information gives a clear answer: “Joseph” is a standalone, one-track rock single. The US Apple Music listing credits Falling In Reverse, Corey Taylor, and Serj Tankian, gives the release date as September 14, 2026, and identifies Epitaph Records as the label. Apple Music

That classification matters because a three-name credit can easily be turned into a larger story. The official Falling In Reverse site currently presents “Joseph” as a release, and Epitaph’s catalog marks it “Out Now.” Together, those pages establish a released song—not a new album, a permanent supergroup, or a broader project. Falling In Reverse · Epitaph Records

What does the collaboration credit actually prove?

It proves that the three artists are attached to the same release listing. It does not, by itself, explain how the song is arranged or divide the creative work among them. A catalog credit alone cannot establish which vocalist appears in which section, who wrote a particular passage, how the production was handled, or whether this is the artists’ first recording together.

That distinction is useful for listening. The names create an expectation of a high-profile meeting, but they do not guarantee a specific sound. Calling the track a historic crossover, a vocal showdown, or a new direction for any artist would go beyond the official release information cited here. The reliable starting point is narrower: this is a formally released collaboration, and the music has to answer the artistic questions that the metadata leaves open.

Why the title should remain an open question

“Joseph” is an unusually specific title, which invites explanations. It might point to a person, a character, a religious reference, or something personal to the artists. None of the selected official release pages explains the title’s meaning. Treating one possible explanation as fact would therefore turn interpretation into biography.

The better approach is to keep two layers separate. The release record tells us what the song is and who is credited. The song itself may supply the meaning through its lyrics, vocal performances, imagery, or video. Those are different kinds of evidence, and one should not be substituted for the other.

The useful takeaway for listeners

“Joseph” is worth approaching as a focused collaboration rather than as proof of a larger narrative. Start with the verifiable frame: a one-track rock single, released through Epitaph Records on September 14, 2026, with Falling In Reverse, Corey Taylor, and Serj Tankian named in the US Apple Music listing.

After that, the interesting questions are deliberately left to the work: Do the three voices feel integrated or contrasted? Does the arrangement make the feature credit feel essential? Does the title become clearer after hearing the song? Those questions produce a more honest reading than assuming the credit line already explains the track.

The concise answer is simple: “Joseph” is an official Falling In Reverse single featuring a prominent collaboration on its release credit. The credit confirms the meeting; it does not, on its own, tell listeners what that meeting means.